Anteros: Drunk EP

Anteros (we assume it’s pronounced Ant-air-ross) are a London-based quartet playing indie pop/rock that channels the 80s. While nothing new, it’s fun and full of bounce, and plenty of hooks. The title track opens, about being drunk and in love, and doing crazy things. Drunk and happy or drunk and wearing beer goggles is never […]

Hunter and The Bear: Paper Heart

The Press release says this band are the “heroes British rock needs right now” and for once (music Press releases can be so gushing they make the Niagara Falls look like a park weir) it’s an understatement. Hunter and The Bear are unbelievably good and the band the whole world needs, never mind our small […]

Ophelia: Ophelia EP

Rebecca Van Cleave and Sam Taylor are singer songwriters in their own right and formed as a duo on the road, travelling along Florida’s Emerald Coast, as you do. (Van Cleave has been a body double in Game of Thrones, for that naked walk, we think). Van Cleave and Taylor claim musical influences from 60s […]

Plaitum: Constraint

Plaitum do one thing. They do it really well but it’s their one trick: if you’re in the mood for cavernous, grandiose electronic pop it’s really good. If you’re not, it’s a band doing the same thing for 40 minutes. As a debut album, it’s pretty impressive, though. The Press release talks about more modern […]

Johnny Lloyd: Eden EP

This is a few weeks old but still getting played daily in the Review Corner: it’s well worth checking out if you like quality pop. Lloyd was in Tribes, a band that existed from 2010-13 (they supported the Stones at Hyde Park), so he’s been around the block and learned his stuff. Opener Running Wild […]

Old Crow Medicine Show: 50 Years of Blonde on Blonde

For fans of Bob Dylan, folk, bluegrass or country, this is going to be pretty close to a perfect record. In the sleeve notes, Old Crow’s Ketch Secor says Bob Dylan inspired him to go into music and that Dylan is “the greatest spinner of rhyme and couplet since Shakespeare”. You can take it that […]

Mieczyslaw Weinberg: Complete Sonatas For Violin And Piano

Weinberg is recognised as one of the outstanding Russian composers of the second half of the 20th century (say the Press notes, we won’t pretend we knew that). He was feted for his symphonies and string quartets, but also wrote a sequence of violin sonatas. Shostakovich’s influence is evident (say the notes) in the Third […]

The Undercover: Hippy Truth and Fiction

The Undercover Hippy — his mum calls him Billy — is one mixed up dude: he sounds like he should have long hair but doesn’t; on record he sounds a bit of a crusty but he’s a smart young man (his mum must be proud); he raps like Eminem but to reggae. He’s certainly different. […]

The Jesus And Mary Chain: Damage and Joy

We were never ones to worship bands; we never raved about The Jesus and Mary Chain — they’re just a band, all said and done — so this new album, the first new one in 19 years, seems pretty good. Maybe diehard fans will feel differently. The main problem for the band’s Reid brothers is […]

Ben Marwood: Get Found

  There’s a raft of bands rotating around the daddy of this genre, Frank Turner: we most recently reviewed Beans On Toast, but there’s any number of singer-songwriters playing folk-based tunes with sincere and/or entertaining intelligent lyrics, and with links to Turner. Marwood is another. After the first couple of plays, we’d have said his […]