We came across Lizzo some time ago with Batches and Cookies, a stripped down semi-joking but addictive rap song (sample lyrics: “I got my batches and cookies / I got my batches and cookies / I got my batches and cookies / I got my batches and cookies”). The album Lizzobangers was less interesting and […]
Chas Rigby: Pearls
This is doubtless unfair on Chas, who’s probably 6’ 4” with pecks like a gladiator, but we imagine him as one of those underweight singers with less hair than they once had, who turn out to have led interesting but ultimately tragic lives, maybe some drugs and an arrest or two, but all giving them […]
Mak Grgic: Balkanisms
Solo classical guitar albums are not our favourite bag but this one looked like it might be better than average and so it is. The Balkans are famed for their folk music, noted for complex rhythms; you normally hear it in electric “gypsy” folk or punk bands. While the album consists of Mr Grgic noodling […]
Luke Sital-Singh: A Golden State
Sital-Singh is clearly a man who is serious about making music, and is good at it. He has a sound he wants to make. As with all music now — and Amazon is appalling for this — it’s apparently become illegal to give people bad reviews unless it’s someone you want to snigger at, like […]
Cuatra Puntos: Jaipur to Cairo
There’s world music and there’s world music: from Paul Simon’s world-tinged pop to Plant/Page roping in ethnic musicians to make polished albums or Tinariwen using western instruments for traditional songs. Then there are musicians from wherever playing traditional instruments. We’re fond of gnawa from Morocco, two-string guitars (that means real string) and qaraqueb — metal […]
Jon Deak: Symphonic Tales
This entertaining album stands repeated listens; Deak is a man who clearly enjoys his music. He is the young composers advocate of the New York Philharmonic, where he founded the award-winning Very Young Composers Program in 1995. His interest in making music accessible to younger listeners is clear. Two of the works are for full […]
Galina Ustvolskaya: Complete works for Violin and Piano
Dutch critic Elmer Schönberger called Galina Ustvolskaya “the lady with the hammer”, not because she whacked the piano with ham-like fists but because she composed using unusual combinations of instruments, and often used piano or percussion to beat out regular rhythms. She was a pupil of Shostakovich, who commented (according to Wikipedia): “I am convinced […]
David Gray: Gold in a Brass Age
We can’t have been unusual in seeing Gray at Glastonbury (on the telly) promoting White Ladder and buying the album; we seem to remember that while he was doing ok before, the Glasto show pushed the album out to the masses. Like other bands before and since (Dido, James Blunt) Gray was then everywhere — […]
Blood Red Shoes: Get Tragic
Blood Red Shoes are — and we’d forgotten they existed — one of those indie / alt rock bands who never quite hit the premier league; never quite as good as Foals or Bombay Bicycles, but still pretty decent. Their fans probably wonder why they’re not bigger; their last tour played Manchester Gorilla. From what […]
Boieldieu: Piano Concertos, Six Overtures
Adrien Boieldieu numbers among the most important exponents of the opéra comique of the French imperial era and the subsequent restoration. From 1803 to 1811 he was the court music director in St Petersburg, and in 1817 he became a professor of composition at the Paris Conservatory. This programme of works is — as the […]
