Teen Creeps: Forever

Teen Creeps are from Belgium but the sound of Joram De Bock, Ramses Van den Eede and Bert Vliegen is rooted in another land and another time: Northern Ireland, 1989, to be precise, because that is when Ash formed. Teen Creeps sound like they want to be the Ash of Belgium, though as Ash is […]

Charli XCX: How I’m Feeling Now

This is a very modern album, recorded by XCX at home during lockdown and in consultation with fans via social media. It’s also modern in that it’s mostly style over substance; she can write a melody but it’s hard to recall any of it afterwards. The national critics seemed to love it, but she’s probably […]

Metronomy: Metronomy Forever

Gone is the wonky synth and in its place highly catchy and slick pop tunes and (to our ears) an album-long tribute to the band’s Ferdinand Mount’s influences over the years. He recorded his early albums on his own and this sounds like it’s just him, too. The result is some of his best songs […]

Neil Young: The Visitor

Young’s 39th album is another partly political one, this time with an electric band. It’s typical Young at his loosest, a little sprawling and all over the shop but still good. Clearly Trump gets some stick (“I’m living with a game show host / Who has to brag and boast” but he addresses other topics, […]