William the Conqueror: Proud Disturber Of The Peace

William the Conqueror, aka Ruarri Joseph, played the Just So Festival at Rode Hall last year and his show was so impressive that he and it are tied together in the Review Corner collective memory. He was so good we bought two of his solo albums, second hand. In his youth (he was taking his […]

Venus Rising: Happy Daze

Venus Rising are local, led by Sheena Bratt. We don’t like reviewing local bands much: do we just say they’re great because they’re local, or be honest? Usually they’re as good as they need to be, which makes it easy, but VR are a band that want to go places and this is their calling […]

Chris T-T: Best Of

We had this a couple of weeks before playing it. A bloke we’ve never heard of issuing a best-of package as he jacks it in after 20 years of limited success? What’s going to be good about that? A lot, it transpires. The man’s a genius at what he does, with an unlimited supply of […]

Ben Marwood: Get Found

  There’s a raft of bands rotating around the daddy of this genre, Frank Turner: we most recently reviewed Beans On Toast, but there’s any number of singer-songwriters playing folk-based tunes with sincere and/or entertaining intelligent lyrics, and with links to Turner. Marwood is another. After the first couple of plays, we’d have said his […]

Little Dragon: Season High

Eight or nine years ago the Review Corner was in a trendy shop that sold ornaments and knick-knacks, and Little Dragon’s debut (called Little Dragon) was playing. We stopped to chat with the owner about how good Little Dragon were, how much we liked them and how they deserved to be big. A decade on, […]

The Orwells: Terrible Human Beings

The Orwells occupy the ground somewhere between landfill indie and genius. Landfill indie, for those lucky enough to have forgotten, was a guitar-based rock of the lowest common denominator, designed to appeal to young lads on lager and with lyrics to match. The Orwells’ sound is that, and every song sounds a bit like something […]

Dutch Uncles: Big Balloon

This is Marple band Dutch Uncles’s fifth album. We thought we’d missed some early ones but it turns out we heard their first two, Dutch Uncles and Cadenza (both good, particularly the latter), and it was the next two that slipped under our radar. Not surprising: while Cadenza was quirky and charming, O Shudder (the […]

Grandaddy Last Place

Grandaddy formed in 1992, the band led by main writing talent Jason Lytle, and split in 2006. We were a little surprised to see this appear, as we thought they’d gone forever. Their popularity can be seen by the fact that — presumably before hearing a note — at least one UK festival has booked […]

Ten Fé: Hit the Light

This enjoyable album delivers cool indie pop that’s also commercial; it’s likable and stands repeat plays but is a little derivative. Indeed, we noticed various reviews compared Ten Fé to various bands; we guess they sound like everyone and anyone, so if you like them they sound like your favourite band. Follow sounds a bit […]

Vant: Dumb Blood

We like this because they sound like a band at all times; some of the songs may not be the best but they always work because the band works as a unit. Opener The Answer is a great first track, with feedback, swirling guitar and throbbing bass held together by a tight drum pattern; if […]