Tag: jazz
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London Myriad: Four
In this week’s Chronicle we report on a young musician’s plans to bring good modern classical music to this area, and a couple of recent releases from Divine Art would seem to be ideal for pressing the case of modern (ish) classical music. This album, launched last week, is a delight. It includes works by…
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Liam Gallagher: Why Me? Why Not
Noel’s younger brother has teamed up with his “army of songwriters”, as the older Gallagher mocked, to deliver a likable pop album that mixes two things Noel was best known for, sounding like The Beatles and writing Oasis crowd-pleasers. Most of the tracks could be late-era Beatles outtakes, down to George Harrison’s guitar gently weeping,…
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Tiny Changes: A Celebration
The full name of this album is A Celebration Of Frightened Rabbit’s The Midnight Organ Fight and it has become a de facto tribute album to the band’s songwriter Scott Hutchison, who took his own life last year. It was recorded before he died; the covers are not mournful, more life-affirming. This is how it…
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Various: Folk Music of China, Vol II: Folk Songs of Inner Mongolia and Heilongjiang
This is part of Naxos’s newly-launched world music catalogue, and it’s more interesting than some of the modern rock/pop releases we listen to; admittedly it won’t shift so many copies. The songs featured are the folk songs of five minority ethnic groups of Inner Mongolia and Heilongjiang — Mongol, Daur, Oroqen, Evenki and Hezhen. They’re…
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Amy Studt: Happiest Girl In The Universe
This dreamy pop album opens gently, Studt caressing the microphone and pleasing people who experience autonomous sensory meridian response (those of you who like to hear wrapping paper fondled and gently-spoken sibilants). After this she sings more forcefully, at the top of her register, the music remaining gentle. She is somewhere between Dido, Bjork and…
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Chris Gall and Mulo Francel: Mythos
Saxophonist Mulo Francel is well known (though not to us; we won’t pretend) for his work with platinum-selling jazz/world quartet Quadro Nuevo; Gall is a fifth member for live gigs. Kulturnews magazine credits Francel with the “most sensuous saxophone sound in Europe”. The idea of this album apparently began at the end of a hard…
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Bob Bradshaw: Queen Of The West
The music is warm and rich but we find Bradshaw’s vocals a little dry (which we would also find fault with Bread over), but there’s a lot going on. He has lots of ideas and the band is good, his voice just fails to excite us. That aside, it’s a meaty album with a lot…
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No Hot Ashes: Hardship Starship
No Hot Ashes have the potential to be massive. The sound is somewhere between the Libertines and indie bands of that ilk, and slicker pop bands; Kubb maybe. The lyrics are more Busted than Arctic Monkeys. They’ve got something of the classic pop instrumentation of eighties pop bands (even Wham! in places), all presided over…
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Metronomy: Metronomy Forever
Gone is the wonky synth and in its place highly catchy and slick pop tunes and (to our ears) an album-long tribute to the band’s Ferdinand Mount’s influences over the years. He recorded his early albums on his own and this sounds like it’s just him, too. The result is some of his best songs…
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Emily Breeze: Rituals
This is a studied act, presenting the kind of music an intellectual type might believe reflects the cool chic followers of Jack Kerouac would adopt on a pilgrimage to La Rive Gauche in Paris. It’s apparently effortless and cynical, but served up with English wit, so you can always claim satire if anyone laughs. As…
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