Category: Singers
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Rationale: Rationale
We were anticipative of contemporary hip hop but Rationale — real name Tinashe Fazakerley — is somewhat old school Rnb. Having been flummoxed by the lack of hippity hop, the album still left us slightly discombobulated (he started it, Rationale Fazakerley indeed): Fazakerley has a good voice, a soulful baritone that connects with the listener’s…
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Alexander Armstrong: In A Winter Light
We were expecting to mock this: a cursory play through, a pithy review, job done. Unfortunately, it’s pretty good; if it was more Christmassy, it’d come with free reindeer poo and tinsel. We played it about six times on the run. Armstrong is not only the voice of Dangermouse, he went to St Mary’s…
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Aretha Franklin: A Brand New Me
This is pretty good. Some digital boffins have got Franklin’s original vocals from her classic Atlantic masters, hired the Royal Philharmonic, booked Abbey Road studios — which always sounds good in a Press release — and then mixed the new music and old vocals, with added backing vocals from Patti Austin. What you get is…
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John Turner: Christmas Card Carols
This has got to be one of the coolest things: recorder player Turner writes a short Christmas carol each year and sends it to friends and family, not in the form of a recording but as notes written on a card. They’re all musicians, so they play the music for themselves. One recipient writes in…
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Engelbert Humperdinck: The Man I Want to Be
The existence of Engelbert Humperdinck has always baffled us: to whit why Arnold Dorsey, of Leicester, should adopt the stage name of a German 19th century composer of operas. The idea worked, which is more surprising. Even if you don’t know who Humperdinck is (the still-alive one) you’ll know his songs: described as “one of…
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Neil Young: Hitchhiker
This is a rather magical album: Young rolls up to a studio in 1976, on a night of the full moon, and plays some songs, accompanied only by weed and beer. Some songs go on to be classics, two have not been released before. It’s a got a bit of Clint Eastwood Man With No…
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Robert Plant: Carry Fire
We’ve been giving Robert Plant money for 40 years, so we’re rocking out around the zimmers to this (and it’s the 200th review we’ve written this year, go us!). A decade or so ago, we read that Plant expected to lose his record deal and sell purely to his fanbase; then came Alison Kruze and…
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Scott Matthews: Home Pt2
A bit like the Mounties we always get a CD reviewed, even if the sounds of the launch party and the promotional tour are long forgotten. We’ve got all Scott Matthews’ CDs — one we even bought — and always found him a little frustrating. Clearly a talented songwriter, he always seemed to hide his…
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The Little Unsaid: Imagined Hymns and Chaingang Mantras
This is our favourite of four albums we’ve had recently, a fact that would have surprised us at first play. Lau are the slick stadium band, Dan Walsh the bloke down the pub providing entertainment, The Little Unsaid offer serious music on serious topics. At first hearing, it’s a little intense but it’s compulsive listening.…
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Hue And Cry: Pocketful Of Stones
In musical terms, we should be saying this is the album of the year. Every time we play it, the quality of the songwriting and the playing, and Pat Kane’s soulful voice, bowl us over with their greatness. Sadly, we’re trivial, superficial, and prefer the latest band with a hot new riff. Hue and Cry…