Author: jerobear
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Idles: Joy As An Act Of Resistance
Bonkers but brilliant is this second album from punks Idles; the spirit is that of an angry person in a serious demo carrying a witty sign that gets in the Guardian. The sound is thunderous, tribal punk — imagine Nick Cave sounding like John Lydon with early Banshees as a backing band — but the…
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Bugzy Malone: B. Inspired
We’re not the demographic for hip-hop, but we like Bugzy Malone. This album smacks of a man who’s absorbed lots of music, and achieved some genuine wisdom. He’s also from Manchester, so we feel more affinity with him than some lad from London: at least we’ve seen the streets he’s talking about. Bugzy Malone —…
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Tami Nodaira, Ichiro Nodaira, Toru Takemitsu: Japanese Guitar Music Vol 4
Despite the title, this is actually a guitar and flute recital; works for flute accompanied by guitar. It’s also not particularly “Japanese” in feel; it’s mostly a gentle and almost ambient sound, with little in the way of metre. “A unique sensibility and an imaginative flair for its colours and expressiveness,” say the sleeve notes…
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Sebastian Weigle: Richard Strauss Also sprach Zarathustra
There’s no point pretending otherwise, but we’ve heard more than the famous bit in Also sprach Zarathustra: the fanfare at the start (Sunrise). It was most effectively used in 2001: A Space Odyssey, although equally effectively played by Flaming Lips as a fanfare to their set at Jodrell Bank’s Bluedot earlier this year. Kubrick (and…
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Plan B: Heaven Before All Hell Breaks Loose
Plan B shot to mainstream fame after following up his inner-city rap album Who Needs Actions When You Got Words with his successful Motown persona in The Defamation of Strickland Banks, telling the tale of Mr Banks, a British soul singer. The boy could sing, and had soul. Soundtrack Ill Manors came next, a “hip…
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Dan Owen: Stay Awake With Me
When we saw that Owen had his own nickname, “Blues Boy Dan”, we were expecting tedious noodling and long guitar solos, but there’s none of that. Instead, what you get is a bloke with a bluesy voice playing slick and commercial bluesy rock. He reminded us of Marc Cohn and also one of our favourites,…
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Johnny Marr: Call the Comet
Marr’s career will always be like that of Orson Welles: his finest moment is behind him. Welles made Citizen Kane when he was 26, the millstone round Marr’s neck broke up in 1987 when Marr was 24. He’s now 54 and will never be as good as he was for those few years. Lucky for…
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Panic! at the Disco: Pray For The Wicked
We were never into that whole theatrical branch of emo, led by My Chemical Romance but including Panic! Over the years Panic! have shed members for a variety of reasons: some were sacked, founder member Ryan Ross wanted to craft rockier fare. The band even went from Panic! to Panic after the ! was sacked…
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Carson Cooman / Carlotta Ferrari: Women Of History
Albums from organist Cooman are the opposite of buses: you wait no time at all, and another two turn up. The man never sits still. This new one is an album of music by the Italian composer Carlotta Ferrari, professor of music composition at the European School of Economics in Florence. Ferrari has written many…
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Dos Floris: The Widowed Earth
This is an album that needs attention, probably on headphones; we tried listening while working and most of it just passes the casual listener by. Clearly, we stopped working and listened, as it is something worth hearing. It opens to the sound of a cassette player, perhaps suggesting something old school; or maybe just that…